Frame vs aps c low light full#
Frame vs aps c low light iso#
Frame vs aps c low light plus#

It also compares favorably to other APS-C big-hitters, too. The Canon EOS R7 is pretty aggressively priced to make it much more appealing to those on a budget, compared to full-frame models. But if the R7 and R10 prove to be as popular as Canon surely hopes they will be, that lack of native lenses should become less of a problem in time. Having to compromise on lenses from the get-go isn’t ideal, particularly when the likes of Sony and Fujifilm have a solid set of lenses to back up APS-C cameras like the Sony A6600 and Fujifilm X-T5. The main problem is that lack of a real lens system to harness the EOS R7's potential.

Frame vs aps c low light iso#

In our real-world tests, the camera produced lovely images in a range of conditions, though as we’d expect it’s not quite on par with full-frame siblings when it comes to low-light or high ISO shooting. A range of useful video specifications, including uncropped 4K/60p video, round out the specs sheet nicely to make the R7 a great little all-rounder. Its vari-angle touchscreen is also helpful for shooting from different angles – and while the electronic viewfinder is a little pedestrian, it does the job.ĭual UHS-II card slots are a nice bonus for a camera like this (and at this price), hinting it might also be favored by pros looking for a good, fast backup model to their main full-frame body.

Frame vs aps c low light plus#

You get a reasonably solid and chunky grip, plus a good range of dials and buttons that make it enjoyable to change the settings in different situations. The EOS R7 is also a nice little camera to use. With up to eight stops of compensation, this is ideal for shooting handheld with slower shutter speeds or in low light. You also get in-body stabilization (IBIS), something that was missing from Canon's mid-range Canon DSLRs.

Max Burst: 15fps mechanical shutter (buffer 224 JPEG / 51 raw), 30fps electronic shutter (buffer 126 JPEG / 42 raw) LCD: 2.95-inch vari-angle touch 1.62m-dot Viewfinder: 0.39-inch OLED 2.36m-dot resolution

Frame vs aps c low light full#

Video: 4K/60p, Full HD/60p, High-speed 120p Full HD With up to 30fps shooting combined with Canon’s latest autofocus wizardry, it’s a dream for wildlife, action and sports photographers – especially as that crop sensor will allow you to get closer to the action with your long lenses.ĪF points: 5915 manually selectable, 651 automatic selection

But the arrival of the EOS R7 and EOS R10 means the EF-M series has now likely reached its end.Īside from this limited range of native lenses, the EOS R7 is otherwise an excellent all-rounder. Canon has yet to outwardly admit that it’s going to stop making EF-M models.

Lenses from this system are not compatible with the EOS R series' APS-C models, and there’s no way to mount them via an adapter either. Neither solution is ideal for keeping things on the light and small side, but hopefully as the system ages, it will also grow to include more options.Ĭonfusingly, you might already be aware of Canon’s 'other' APS-C mirrorless system, which uses the EF-M mount. Other than these two lenses, you have two choices when it comes to optics – use existing full-frame RF lenses, or use either EF or EF-S lenses via the optional EF-to-RF adapter. One of these lenses is an 18-150mm 'all-rounder' that comes available in a package with the EOS R7, with the other being an 18-45mm f/4.5-6.3 kit lens.